I am a lecturer at Ithaca College, where I teach music history, theory, organ, and harpsichord. I write on the relationship between compositional process and music analysis, apprenticeship, and issues of borrowing and authorship in the early modern period (1400–1800). My research enlivens my own practice as a performer, improviser, arranger, and composer of completions of historical fragments.

Current projects:

Copying, Emulation, and Plagiarism in the Shadow of J. S. Bach

Taking Flight: The Freedom of Bach’s Fugues

Bach Cult: Hagiography/Idolatry

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