I am a lecturer at Ithaca College, where I teach music history, theory, organ, and harpsichord. I write on the relationship between compositional process and music analysis, apprenticeship, and issues of borrowing and authorship in the early modern period (1400–1800). My research enlivens my own practice as a performer, improviser, arranger, and composer of completions of historical fragments.
Copying, Emulation, and Plagiarism in the Shadow of J. S. Bach
Taking Flight: The Freedom of Bach’s Fugues
Bach Cult: Hagiography/Idolatry