[performing F. Couperin:] “Straightforward and unmannered, yet keenly sensitive…and affecting”
Boston Musical Intelligencer, March 8, 2013

“Virtuosic panache”
Boston Musical Intelligencer, February 18, 2013

“Hall’s keyboard prowess rocked…. The harpsichord buzzed and sparkled…under Hall’s fleet fingers as he played with assurance and verve.”
Boston Musical Intelligencer, January 13, 2013

“Notable rhetorical clarity and rhythmic flexibility”
Boston Musical Intelligencer, July 25, 2012

“[A] beautifully virtuosic soliloquy, with elaborate flourishes up and down the instrument, hands flying over the keys with perfect elegance and control.”
Arts First Review, May 3, 2012

“Note perfect”
Boston Musical Intelligencer, October 18, 2011

“Luscious”
Boston Musical Intelligencer, July 31, 2011

“Lively… adventurous…”
Boston Musical Intelligencer, May 19, 2011

“Luxury suffused the Harvard Early Music Society concert performance of…Bacchus et Érigone, the Ancien Régime’s inimitable extravagance on ample display.”
The Boston Globe, June 16, 2011

“Hall showed wonderful understanding of the subtlety and expressive potential of the French style. Melodies were ornamented fluidly and gracefully; lines arched with elan. Colorful registrations — we are not used to hearing the reedy and nasal sounds of the Flentrop used so consistently — brought the organ and this music to life.”
Arts Boston, March 15, 2011

“Energetic performance”
The Arts Fuse, December 21, 2010

“Kept the 300-year-old semi-opera relevant”
The Harvard Crimson, November 13, 2007