Copying Bach: Compositional Emulation and Originality in Apprenticeships with J. S. Bach, 1720–1750

PhD Dissertation, Cornell Unviersity, 2019. PDF.

Keyboard Technique as Contrapuntal Structure in J. S. Bach’s Clavier Works

Understanding Bach 10 (2015): 85–108. PDF.

Review of Johann Sebastian Bach, Complete Organ Works, vols. 1 and 2, ed. David Schulenberg

Eighteenth-Century Music 12, no. 2 (2015): 246–47. PDF.


Minor-Mode Sonata-Form Dynamics in Haydn’s String Quartets

HAYDN: Online Journal of the Haydn Society of North America 9, no. 1 (2019). PDF.

Keyboard Music

Pierre Nicolas La Font’s Recently Recovered Harpsichord Music and Its New Critical Edition

Keyboard Perspectives 11 (2019): 37–45. PDF.

Review of John Sheeles, Suites of Lessons for the Harpsichord or Spinet, Book 1 (1724) and Book 2 (c.1730), 2 vols., ed. Michael Talbot

Eighteenth-Century Music 16, no. 1 (2019): 74–76. PDF.

François Couperin on Touch, Movement, and the Soul

Keyboard Perspectives 10 (2017): 19–37. PDF.

Charles Dieupart’s Six suittes (1701–1702) and the en concert Performance Tradition

The Viola da Gamba Society Journal 4 (2010): 6–35. PDF.

Renaissance Studies

Improvised Ensemble Counterpoint: On the Notation of the Bass in Agostino Agazzari’s Eumelio (1606)

Early Music 50, no. 1 (2020). PDF.

Brumel’s Laudate Dominum de caelis and the ‘French-court’ Motet

Journal of the Alamire Foundation 18, no. 1 (2016): 33–54. PDF.

Agostino Agazzari, Eumelio (Rome, 1606). A-R Editions (under contract).